lilium-bosniacum:

Mostar ‘93, prior to the destruction of the Old Bridge / James Mason 

(via agharthhha)

allmyknivesaremadeoutofbutter-d:

you come to me, on the day of my ovulation,

(via sixa-meres)

o-prtzl-blog:

sunrise at the groove box // sat at the edge of a floorless rooftop

22/06/19 5.54am

[ft. @sinful-touches, @m-spanou & the boys]

(via m-spanou)

99-97:

“Ur so chill” thanks i gave up

(via sixa-meres)

womenundertheinfluence:

PJ Harvey is photographed for Self Assignment, 1999. © Anton Corbijn/Contour 

(via alasdepalomita)

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weltenwellen:

Adonis, tr. by Samuel Hazo, from “The Crow’s Feather”, The Pages of Day and Night

(via milkandhoneyhearted)

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aphotographicrecord:

this is my porch at the new apartment. it’s very relaxing, especially on rainy days.

(via anthismenes-kerasies)

eereno:

the right people hear you differently.

(via neuseks)

lifeinpoetry:

I cannibalize hurt to keep
my belly full      watch me gut      my own extinction

— Natalie Wee, from “Bad Habit,” published in Peach

(via agharthhha)

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sovietpostcards:

Pickers of mandarin oranges in Batumi, Georgia (1950s)

(via milkandhoneyhearted)

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24hoursinthelifeofawoman:

Cup of Coffee and Cigarette ,1950

(via amarantess)

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weltenwellen:

Margaret Atwood, from “The Tin Woodwoman Gets a Massage”, Dearly

(via milkandhoneyhearted)

gacougnol:

Zeva Oelbaum
From “Blue Print” book
Cyanotypes

(via ypne-monadiki-mou-agapi)

neuseks:

“When will longing be done with me[?]”

— Marsha de la O, from “Summer” Every Ravening Thing (University of Pittsburgh Press, 2019)

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ilovelibya:

Cave home with a courtyard
Tripoli, Libya

(via firebaptisms)